• Biography
• Portfolio
• Publications
• Press
• Texts
• Contact

ETUI, 2005

Description

ETUI

Before the war in Bosnia and Herzegovina the leather industry was one of the leading industries in Visoko, a region close to Sarajevo. A huge factory produced leather clothes for the market of ex-Yugoslavia as well as for export. It was one of the rare examples where industry was in sync with regional tradition. The treating of leather is something deeply embedded in the regional skill-set and economy — something like a second skin.

The factory is empty now. The huge building now uses only 20 percent of its capacity. During the war period it became completely out of date. Next to it an Italian company is building a new factory for leather clothes that will re-employ workers from the old factory — but only the young and healthy workers. Smaller, private leather manufactories do still exist though, often in houses or next to houses completely or partly destroyed during the war.

The project consisted of making a ‘dress’ out of leather — a protection — for a house in the center of old-town Sarajevo. The leather — the skin — took on the same protective function that it has for animals and human beings, only now it was for a house that is built out of material much stronger than the skin itself, making it an absurd situation. More than anything it reveals the fragility of the house; it makes it human. It is also reminiscent of the military (firearms are kept in leather protection), and at the same time alludes to the leather industry that has nourished the region for centuries.

This video installation addresses the question of economic transition in post-socialist countries. Does transition actually lead somewhere, or is it a self-satisfied, violent state of affairs? Or can protection from change in fact be an imprisonment as well?

National Gallery of Bosnia and Herzegovina

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

The video work Etui (2005) shows the collaboration of the artist with the workers of Visoko, a city 20 km in the Northwest of Sarajevo, where the leather manufacture was on of the leading industries.Through the war the traditional industry culture was stopped. Most parts of the fabrics were closed and replaced by new foreign fabrics, it seemed that the whole land were sold out.

Maja Bajevic entrusted unemployed factory-workers with the seewing of a “dress” for a typically Bosnian uninhabited house in the Old Town of Sarajevo. With this symbolic act of dressing a house with a strong and robust material the artist demonstrates the loss of feeling at home and the loss of tradition.

En Attendant Godot

Un Peu de Soleil Dans L’eau Froide

© majabajevic.com