BIBLIOGRAPHY-MONOGRAPHS, BOOKS AND (EXHIBITION) CATALOGUES

2016
A History. Contemporary Art from the Centre Pompidou at Haus der Kunst, Munich, Germany, ex. cat.
HERO MOTHER, Contemporary Art by Post-Communist Women Rethinking Heroism, Momentum, Berlin, Germany, ex. cat.

2015
All the World’s Futures, La Biennale di Venezia, 56th International Art Exhibition, Okwui Enwezor, Marsilio Editori, 2015, p. 358-9, ex. cat.
Export Import, SP-ARTE, 31st Sao Paulo Biennale, Sao Paulo, Brasil, ex. cat.

2014
Grip friheten! Take Liberty! text by Andrea Kroknes; Gavin Jantjes, Nasjonalmuseet, Oslo, Norway, ex. cat.
The Dignity of Man, M. Abdomerovic; B. Ecker; R. Fink; T. Petiskova; J. Vranova, MUSA, Vienna, Austria, ex. cat.
Memory Lane, Contemporary Art Scene from Bosnia and Herzegovina, Pierre Courtin (ed.), Duplex 100m2, Sarajevo, Paris

2013
Neighbourgs, Celenk Bafra, Paolo Colombo, Istanbul Modern, Istanbul, ex. cat
Power to the Powerless, Staatliche Kunsthalle Baden-Baden, Baden-Baden, ex. cat.
Everywhere But Now, Adelina von Fürstenberg, State Museum of Contemporary Art, Thessaloniki

2012
Explosion, Daniel Birnbaum, Magnus af Petersens, Moderna Museet, Stockholm, ex. cat.
Reflecting Fashion; Art and Fashion since Modernism, MUMOK, Vienna, Austria, ex. cat.

2011
Irrealigious! Parallelwelt Religion in der Kunst, Minoriten Kultur, Graz, Austria, text by Johannes Rauchenberger, pp. 10 – 11

2010
Aware. Art Fashion Identity, Gabi Scardi, Lucy Orta, Royal Academy of Arts, GSK Contemporary, London, pp. 60 – 67, ex. cat.

2009
Frauen schreiben Geschichte(n), Katja Kobolt, Drava, Slovenia
Borders and Beyond, Maija Koskinen, Taidehalli Kunsthalle, Helsinki, pp. 47 -49, ex. cat.
Art and Terrorism, Irfan Hosic, City Gallery of Bihac, Bihac, ex. cat.
Looking at Others, Iva Radmila Jankovic, Art Pavilion, Zagreb, ex. cat.
ELLES@CENTREPOMPIDOU, Camille Morineau, Centre Pompidou, Paris, France, ex. cat.
Madre Coraggio:l’arte, Bonito Oliva Achille, Editions Electra, Ravello, Italy, ex. cat.
Medium Religion: Faith, Geopolitics, Art, text by Boris Groys; Peter Weibel, Walther Konig, Koln, Germany, ex. cat.
Wo-Man Power: Prague biennale 4, Prague, Czech republic, ex. cat.
Signals in the Dark: Art in the Shadow of War, Blackwood gallery, Toronto, Canada, ex. cat.
Videos Europa, Le Fresnoy, Tourcoing, France, ex. cat.
Looking at others, Museum of Contemporary Art, Zagreb, Croatia, ex. cat.

2008
Maja Bajevic, ed. Angela Vettese, Charta, Milan (monographic publication)
Signals in the Dark, ed. Blackwood Gallery/Justina M. Barnicke Gallery, Toronto, ex. cat
Artist-Citizen, Maja Stankovic (ed.), 49th October Salon of Belgrade, ex. cat.
Voyage Sentimental: Meditations Biennale, Poznan, Poland
Can Art Do More? Art Focus 5, Jerusalem, Israel, ex. cat. 
Medium Religion, ZKM, Karlsruhe, Germany

2007
Documenta 12, Documenta, Museum Fridericianum, Kassel, pp. 170 -171, 332, ex. cat.
Airs de Paris, Centre Pompidou, Paris, April – Aug., p. 174, ex. cat.
2 Moscow Biennale, ed. Nikolai Molok, Novosti Printing House, Moscow, pp. 68 -69
Entre Fronteiras – Between Borders, MARCO, Vigo, pp. 108 -111, ex. cat.
Paranoia, Predrag Pajdic, Leeds City Art Gallery, Leeds a.o., pp. 200 -201, 278 -279, ex. cat.
Collectors 1, Eva Brioschi, Collezione la Gaia, Centro Sperimentale per le Arti Contemporanee, Caraglio, pp. 218 -219, cat.
Mine Yours Our’s, galerija Kortil, Rijeka, Croatia, ex. cat.
Inbetweeness. Balcani: metafore di cambiamento, texts by Ludovico Pratesi & Dobrila Denegri, Antica Casa di Correzione di Carlo Fontana, Rome, Italy, ex. cat.
Passion for Art – 35 jahre sammlung Essl, authors Schmied, Wieland; Bonami, Francesco; Schmidt, Bill, Sara; Felber, Andreas; Knapp, Gottfried; Essl, Karlheinz, Edition Samslung Essl, Wien, Austria, ex. cat.
Intramoenia Extra Art, Castelli del Salento, Lecce, Muro Leccese, Acaya, Italy, ex. cat.
The Enforced Dress, Contributions by: Susanne Neuburge, Kunstraum, Wien, Austria, ex. cat.
In Focus Under Duress, Tate Liverpool, UK, ex. cat.

2006
Ars Aevi Collection, Museum of Contemporary Art, Sarajevo, pp. 342 -343, 40
Smile Machines, Akademie der Kunste Hanseatenweg, Berlin, Germany, ex. cat.
Wherever We Go, Spazio Oberdan, Milan, Italy, ex. cat.
Happy Believers, 7. Werkleitz Biennale, Volkspark Halle, Saale, Germany, ex. cat.
Witnesses / Testigos, essays by Jimena Blazques Abascal and others, NMAC Foundation, Cadiz, Spain,
ex. cat.,  pp. 38 -43, ex. cat.
La Force de l’Art, Galeries Nationales du Grand Palais, Paris, France, ex. cat.
Sculpture for the blind / Le Voyage, commissioned for NMAC Montenmedio Arte Contemporaneo foundation, Cadiz, Spain, ex. cat.
Metropolitanscape, Palazzo Cavour, Turin, Italy, ex. cat.
Last & Lost – Unterwegs durch ein verschwindendes Europa, Literaturhaus Munchen, Munich, Germany, ex. cat.

2005
Il grande teatro del mediterraneo, Valentina Sansone, Trevi Flash Art Museum, Trevi, ex. cat.
EindhovenIstanbul, Kerryn Greenberg, Van Abbemuseum, Eindhoven, pp. 20 -21, ex. cat.
Sweet taboos, 2nd Tirana Biennale, Tirana, Albania, ex. cat.
The Government, Secession, Vienna, Austria, ex. cat.
7th Sharjah Biennale, Kamal Boullata (ed.), Sharjah, United Arab Emirates, ex. cat.
Mediterranean Sea: New Visions, Trevi Flash Art Museum, Trevi, Italy, ex. cat.
Going Public 05 /1, aMAZE, Milan, Italy; Larissa Contemporary Art Centre, Larissa, Greece, ex. cat.
Bosnia and Herzegovina at the Venice Biennial 1993 – 2003, Dom mladih, Sarajevo, B&H, ex. cat.
ArtRobe, UNESCO, Paris, France, ex. cat.

2004
La alegría de mis sueños, Hand-Joachim Müller, I Bienal de Arte Contamporáneo de Sevilla, Sevilla, Spain, ex. cat.
Good Morning Belgrade, text by Branislava Andjelkovic Dimitrijevic; Branislav Dimitrijevic, Museum of Contemporary Art, Belgrade, Serbia
Don’t Touch White Woman – Contemporary Art Between Diversity And Liberation, Fondazione Sandretto – Rebaudengo Per L’Arte, Turin, Italy, ex. cat.
Hidden (hi)stories, text by Miriam Bers, Galerie K&S, Berlin, Germany
The Balkans, a crossroad to the future, text by Harald Szeemann, Arte Fiera, Bologna, Italy
Lodz Biennale, Lodz, Poland, ex. cat.
How Do We Want To Be Governed? (Figure and Ground), text by Sonja Parzefall, Miami Art Central, Miami, USA, ex. cat.
Love It or Leave It, Cetinje Biennale, Cetinje, Montenegro, ex. cat.
Delay, Boijmans Van Beuningen Museum, Rotterdam, The Netherlands, ex. cat.
Passage d’Europe, Musée d’Art Moderne, St Etienne, France, ex. cat.
Imagine Limerick: ev+a, Limerick City Gallery of Art, Limerick, Ireland, ex. cat. 
BIACS, 1st Sevilla biennial, Monasterio de La Cartuja de Santa María de las Cuevas, Sevilla, Spain, ex. cat.
In Movement: UNESCO salutes Women Video Artists in the World, UNESCO Headquarters, Paris, France, ex. cat.
Flipside, Artists Space, New York, USA, ex. cat.
Designed in France, Imagined in Beijing, Espace Paul Ricard, Paris, France, ex. cat.

2003
Blut & Honig, Zukunft ist am Balkan, Ivana Enzler, Harald Szeeman, Essl Collection, Vienna, May, ex. cat.
Tirana Biennale 2, Tirana, ex. cat.
Gestes: Printemps de Septembre, Toulouse, text by Fabienne Fulchéri, pp. 42 -44, ex. cat.
Le Opere e i Giorni, Certosa di Padula, Salerno, Italy, ex. cat.
50th Biennale di Venezia, Pavilion of Bosnia & Herzegovina, Venice, Italy, ex. cat.
Fuori uso – Anomalie, Ferrotel, Pescara, Italy, ex. cat
Gestes. Printemps de Septembre, Toulouse, France, ex. cat.
In den Schluchten des Balkans, Kunsthalle Friedericianum, Kassel, Germany, ex. cat.
Tirana Biennale, U-Topos, Tirana, Albania, ex. cat.
Construction of situations, Galerie im Taxispalais, Innsbruck, Austria, ex. cat.
In Progress, Locarno Film Festival, Locarno, Switzerland, cat.
Blood and Honey, Sammlung Essl, Vienna, Austria, ex. cat.
Red, Rad i rod, Kulturni Centar Beograda, Belgrade, Serbia, ex. cat.
Chambre avec vue, performance, Aussillon, France, commissioned by the Printemps de Septembre, Toulouse, France, ex. cat.
The Prayer, performance, part of Le Opere e i Giorni, Certosa di Padula, Salerno, Italy, ex. cat.
Sewing My Wedding Dress While Waiting, performance, part of Il Racconto del Filo, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Italy, ex. cat.

2002
Maja Bajevic…and other stories, texts by Johannes Fehr, Bojana Pejić, Emanuel Licha, Collegium Helveticum, Zurich
Maja Bajevic: Women at work, texts by Yvana Enzler, Dunja Blazević, Bojana Pejić, National Gallery of Bosnia and Herzegovina, Sarajevo, ex. cat.
Maja Bajevic, Gabi Muka Scardi, Viafarini/Artopia, Milano, ex. cat.
Enactments of the Self, Hauptplatz, Graz, Austria, cat.
40 Jahre: Fluxus und die Folgen, René Block; Regina Barthel (eds.), Kunstsommer Wiesbaden, Germany, ex. cat.
The Big Social Game, Biennale di Torino, Turin, Italy, ex. cat.
Paradise Lost, Rimini, Italy, ex. cat.

2001
Foci, Interviews with ten international curators, Carloe Thea, ApexArt, New York
A cosa serve l’arte contemporanea, Angela Vettese, Torino: Umberto Allemandi & C., Torino, Londra, Venezia
7th Biennale of Istanbul, Istanbul, Turkey, ex. cat.
Devenirs / Becomings, La Sorbonne, Paris, France, text by Aleksander Bassin, Julie Cabanne, Ana Devic, Shkelzen Maliqi, Gëzim Qëndro, André Rouillé, Nebojsa Vilic, ex. cat.
Adriatico, Le due sponde, Angela Vettese (ed.), Michetti Museum, Francavilla a Mare, Italy
Perfect Match: Capital and Gender, The Museum of The City, Skopje, Macedonia, ex. cat.
Milano Europa 2000, Milan Triennial, Milan, Italy, ex. cat.
Central, artLab: neue Kunst aus Mitteleuropa, author Carl Lorand Hegyi, Museums Quarter, Vienna, Austria; Museum Morsbroich, Leverkusen, Germany, ex. cat.
Rumor city / Mutations, La Rafinerie, Brussels, Belgium; TN Probe, Tokyo, Japan, ex. cat.
East +, text by Chiara Bertola, Fondazione Querini Stampalia, Venice, Italy, ex. cat.
Le Tribu dell’Arte, A. Bonito Oliva (ed.), text by Manuela Gandini, Galeria Comunale d’Arte Moderna e Contemporanea, Rome, Italy, ex. cat.
Watou Poeziezomer 2001, Watou, Belgium, ex. cat.
Biennale de Valencia, text by Achille Bonito Oliva, Valencia, Spain, ex. cat.

2000
Achille Bonito Oliva, Gratis a bordo dell’arte, Skira editore, Milano
Manifesta 3. Borderline Syndrome, Energies of Defence, text by Dunja Balzevic, Ljubljana, Slovenia, ex. cat.
Kinema Sarajevo, Galerija sodobne umetnosti, Celje, Slovenia, ex. cat.
Extended Transformation, Natura Naturans 5, text by Ivana Jevdjevic, Sala Comunale d’Arte-Tergesteo, Trieste, Italy, ex. cat.
Women at work – The Observers, performance, Château Voltaire, Ferney Voltaire, France, ex. cat.

1998
Behind the mirror / Iza ogledala, text by Dunja Balzevic, SCCA, Sarajevo, B&H, ex. cat.
Arte in Guerra, text by Ela Caroli, Palazzo Reale, Naples, Italy, ex. cat.

1997
Meeting point, SCCA, Sarajevo, B&H, ex. cat.

1991
Collegium artisticum 91, Sarajevo, B&H, ex. cat.
Mlada grafika Bosne i Hercegovine, Umjetnicka galerija, Sarajevo, B&H, ex. cat.

1990
Zlatno pero Beograda, Belgrade, Yugoslavia, ex. cat.

1989
Zlatno pero Beograda, Belgrade, Yugoslavia, ex. cat.

 

BIBLIOGRAPHY – REVIEWS AND ARTICLES

2016
“Vart arbete” pa Lunds konsthall och “ Massa i rorelse” pa Kalmar konstmuseum, Dan Jonsson, www.dn.se

2015
5 Names You’ll Know after the Venice Biennale, Julie Baungardner, Artsy, May 7
The 2015 Venice Biennale’s central show, focused on strife, is uneasy, uneven, Andrew Russeth, Artnews, May 6
Maja Bajevic “We are the last ones of yesterday, but the first ones of tomorrow”, Eric Simon, www.actuart.org
Maja Bajevic photographie Terrains vagues, Actuphoto, http://fr. Actuphoto.com
Maja Bajevic, artnews.org 

2014
Maja Bajevic’ continuous investigation into history, Andrea Kroksnes, RES Art World, Istanbul, No. 11, Oct, pp. 79-85
Beaubourg au present, Judith Benhamou-Huet, Les Echos, Paris, Sept. 5
L’Horloge externe. Maja Bajevic a la galerie Michel Rein, Elisabeth Lebovici, Paris, http://le-beau-vice.blogspot.com/

2013
Zwischen Witz und Bitterkeit, Georg Patzer, Stuttgarter Zeitung, Dec. 4
Road Movie, Taz.de, March 14
Kunsthalle stellt die Machtfrage, Christiane Lenhardt, Badisches Tagblatt, Nov. 15
Maja Bajevic, New Yorker, www.newyorker.com, NYC
BIH artist Maja Bajevic had a very successful exhibition in New York, www.sarajevotimes.com
Maja Bajevic, To be Continued, www.artandeducation.net
Maja Bajevic, To be Continued, www.artcat.com
The noise of time: Maja Bajevic at the James Gallery, www.reddomino.typepad.com

2012
Die Liebesbriefe kommen aus der Maschine, Tim Ackermann, Berliner Morgenpost, Berlin, Germany, Aug. 12
Vom hellsten Tag in die dunkelste Nacht, Carolin Würfer, Vogue.de, Berlin, Germany, July 31
Sculptures pour les aveugles, Dan Kaminski, La Revenue nouvelle, Nov, pp. 92-94
Sacred Tensions, Berlin Artparasites Online, Berlin, Germany, June 30
In den Staub geschrieben, Julia Gwendolyn Schneider, TAZ, Berlin, Feb. 13, p. 23
Maja Bajevic, undo.net, www.undo.net/it 

2011
Maja Bajevic, Emma Brasó, Flash Art, Milan, No. 281, Nov.-Dec., p. 105
Maja Bajevic, George Stolz, Frieze, London, Issue 142, October, pp. 246-247
Leben in der blase? interview, Frieze/de, No. 1, summer 2011, pp. 96-104.
Maja Bajevic, Abel H. Pozuelo, El Cultural, Madrid, Sept. 2, p. 30
Un contra monumento para la convulsion, Angeles Garcia, El Pais, Madrid, May 27
Maja Bajevic en el Palacio de Cristal del Retiro en Madrid, Arte y coleccionismo, May 27
Maja Bajevic – Karaoke, Il Messaggero.it, Turin
Sporgsmal der overskrider nationer, Safa-Luise Pedersen, Kunsten.nu
Ad Angela Vettese il Premio Veuve, Festival arte Contemporanea, June 

2010
Continental Divide, Eleanor Heartney, Art in America, June – July, pp. 122-129
Premio Veuve Clicquot Italia 2010, Exibart.com, June 26

2009
Da bumst der Wahnsinnige mit dem Verwirrten, Boris Buden, Springerin, No.2
Überzeugende Videoarbeiten von Maja Bajevic, Feli Schindler, Tagesanzeiger, Zurich, Oct. 8, p. 28
That would be all, thank you, Michele Robecchi, Flash Art, No. 275, April – May, pp. 81-81
Retrospektive einer Bewegung, Gerti Krawanja, Echo, Salzburg, No. 4, Apr., pp. 92 -93
Wo Kunst ins Leben eingreift, Clemens Panagl, Salzburger Nachrichten, Salzburg, Apr. 23, p.12
Maja Bajevic, Daniel Morgenthaler, Kunstbulletin, Zurich, No. 4, Apr., pp. 70 -71
Prekare Trennlinie, Gislind Nabakowski, Springerin, Vienna, January, pp. 56-58
Ce e nou pe frontul de Est? Chrtian Nae, IDEA, Cluj, Romania, No. 33-34, pp. 53-59
Maja Bajevic, The Pandorian, Aug 27
En decoudre, Florence Garrabe, Journal D’exposition, Jan-March
Il s cousent de l’art, A.H. , La dépêche du midi, Jan 11

2008
Il filo di una storia al femminile, Enrico Tantucci, La Nuova Venezia, Venice, March 19
Filo spinato e barriere, Il Gazzettino, Venice, March 19
Maja Bajevic, Martina Zambon, Corriere del Veneto, Venice, March 19
Filo spinator e lombrichi: l’arte che fa male, S. Pas., Leggo, Venice, March 18
C’è un filo spinato da attraversare, La Nuova Venezia, Venice, March 18
Bridging the gap between war’s myth and reality, Andrea Carson, The Globe and Mail, Toronto, Feb. 27
Review: We interrupt your program, Julian Myers, Frieze, No. 115
Maja Bajevic, Le Monde, Nov 8
Maja Bajevic – det tabte hjem, Diana Gerlach, Folkedrab.dk
Emmanuel Posnic, Paris art, Paris
Maja Bajevic, Artelab, artelabonline.com
Contemporary artists on the border of the old and the new Europe, NY Arts
Reflections of wartime: Art in Holon, Israel, Tracy Wilkinson, LA Times, June 26
Maja Bajevic, UniNews, March 7
Gray Area, DeWitt Cheng, East Bay Express, Oakland, USA, Jan 30

2007
Documenta 12, Der rote Faden. Maja Bajevic, Art, Hamburg, No. 7, July, p. 30
Maja Bajevic: National Gallery, Ana Janevski, Flash Art, No. 252, Jan./Feb. Milan, pp. 7, 124
Maja Bajevic: The matrix of memory, Bojana Pejic, Textile, Vol. 5, Issue 1, pp. 66 -87.
Fotografie che si baciano in una scatola, Chiara Zocchi, Agora, April 29
Maja Bajevic: National Gallery, Ana Janevski, Flash Art, No. 252, Jan – Feb

2006
Que la force soit avec la force de l’art! Sophie Schmit, Art Actuel – Le Journal, Paris, May-June
Ars Aevi izlozba: Maja Bajevic, www.a4a.info
Hollywood Hallucinations, Rhizome News, April 7, Rhizome.org
Vanity Fair, Artforum.com, May 15
Transmediale06: smile machines, Claudia Wahjudi, Kunstforum International
Art, le nouveau “made in France”, Beatrice de Rochebouet, Le Figaro et vous, Paris, May 6-7
Angelique Chrisafis, Guardian, May 10

2005
The Site of Production: Maja Bajevic’s New Work Sarajevo, Kim Dhillon, n.paradoxa, Vol. 16, London
“Kiks-miks” je nekaj normalnega! Rok Vevar, Delo, Ljubljana, Slovenia, Oct. 21
CoWeb, Maja Bajevic, Bodylab, Delo, Ljubljana, Slovenia, Oct. 6
Minsko polje melodij, Nedelo, Ljubljana, Slovenia, Oct. 9
Dan pred uradnim vstopom v Mesto zensk, Delo, Ljubljana, Slovenia, Oct. 9
Donostia reune en una exposicion a los mejores artistas mundiales del video, El Mundo, April 9
Der Knoten zwischen Geschichte und Ort, Ute Vorkoeper, Die Zeit, Hamburg, Dec. 5
Pijnlijk? Natuurlijk. Hopeloos? Niet helemaal, Wilma Sütö, Mister Motley, Amsterdam, No. 9, pp. 58 -59
Maja Bajevic, Carole Boulbès, Artpress, Paris, No 315, Sept.
KünstlerInnen aus Sarajewo, Daniel Baumann, Spike, Vienna, No 4, Summer, p. 101.
Ich-Erzähler der neuen Zeit, Kia Vahland, Art 1/05, pp. 20 – 33.
Maja Bajevic: Broder l’histoire, D.L.S., Arearevues, Paris, No 10, July, p. 46
Regard sur la nouvelle Europe, Roxana Azimi, Le Monde, Paris, Sept. 12
“L’arte est comme un terrain vague”, Anaïd Demir, Le Journal des Arts, No 217, June
Contemporaneo liquido, Monika Trigon, Flash Art, Milano, No. 242, May/June
Una Biennale da Mille e Una Notte, Kaelen Wilson-Goldie, Flash Art, Milano, No. 242, May/June, p. 67
Maja Bajevic: New Ways of Working, Kim Dhillon, NY ArtMagazine, May 5
The Site of Production: Maja Bajevic’s New Work in Sarajevo, Kim Dhillon, n.paradoxa, vol. 16, pp. 69-74
Hello trouble, Kim Dhillon, i-D Vol II/V No. 255, p. 60.
Maja Bajevic, laplupart.com, June 4

2004
Los Balkanes y los otros, Rene Block, Exit Express, No.7
A minefield of melodies, Ana Janevski, Domus, No. 873, Sept.
Blood & Honey / futureʼs in the balkans, Daniela Perra, Tema Celeste, Milano, No. 99,
Maja Bajevic, PS1, João Ribas, ArtPreview, July/August
Where Opposites Like Hands on / Hands Off attract, Roberta Smith, The New York Times, July 16
Flipside, Ken Johnson, The New York Times, Dec 17
Kunst oder leben, Claudia Wahjudi, Zitty, No. 21
Multipistes, France culture, radio, Paris, June 11
National Anthems, The New York Times, Oct 3
TimeOut New York, NYC, July 15-22
C108 Review, CIRCA 108, Summer 2004, pp. 84-86.
Don’t Touch the White Woman!, Natalie Massone Saiph, NY Arts magazine, www.nyartsmagazine.com
Non toccare la donna bianca, Filippo Romeo, ARTFORUM, Nov. 11
Non toccare la donna bianca, Flash art, Aug/Sep

2003
Rad, red i rod, Artur Zmijewski/Maja Bajevic, Bojana Pejic, Kulturni Centar, Belgrade,
Kunst fur das Volk,Kia Vahland, Art, Berlin, 6/03
Razgovor s Haraldom Szeemannom, Beros Nada, Jutarnji list, Zagreb, April 26
Blut & Honig. Zukunft ist am Balkan, Reiner Metzger, Kunstforum, Ruppichteroth
Balkan art is a compliment in Vienna, Denisa Kera, U1 – 03, Balkans
Da bumst der Wahnsinnige mit dem Verwirrten, Boris Buden, Springerin, Vienna, No. 2
The Irritation of Lingua: A Few Notes on the Exhibition “Blood and Honey”, Nicole Haitzinger, ART, Berlin
Quando il filo racconta il mondo, Francesca Pasini, Across MART / Trento e Rovereto, Milano
Landerbeiträge, Bosnien – Herzegowina, 50 Biennale Venedig, Kunstforum, Ruppichteroth
Le strategie della resistenza alla Biennale, Gabi Scardi, Il sole 24 ore, Milano, Aug 10.
Certosa contemporanea, Lia De Venere, Il sole 24 ore, Milano
L’ happening che spiazza contro con Maja Bajevic, Teresa Macri, Il Manifesto, Rome, Dec. 24
The art of places, interview with Maja Bajevic, Illywords, No.13
Enactments of the Self, Justin Hoffmann, Kunstforum, No.163.

2002
Paris-Peking, ping-pong artistique, Annick Rivoire, Liberation, Feb. 20
Maja Bajevic Viafarini/Artopia, Milovan Farronato, Tema Celeste, Milano, No. 93
Maja Bajevic ARTOPIA / VIAFARINI, Michele Robecchi, Flash Art International, Milano, No. 235, Aug./Sept.
Maja Bajevic. Artopia/Viafarini, Michele Robecchi, recensione in Flash Art International, n. 226, ottobre,
Toulouse, le Printemps en automne, Michel Nuridsany, Le Figaro, Paris, Sept. 30
Maja Bajevic, Urban, n. 9, 27 maggio 2002, p. 59
Etniche atmosfere per cantare l’epos popolare [maggio]
Zegna Baruffa sponsor d’arte, La Stampa web, www.lastampa.it
Viafarini – Maja Bajevic, www.archimagazine.com
Maja Bajevic au Printemps de septembre à Toulouse, Sandrine Lacroix, Les Inrockuptibles, Paris, No. 357, Sept. 25
La nutella è un elisir, Angela Vettese, I giornalle dell art, Milano
Sradicamento e Identita: E ancora possible cantare Avanti popolo, Francesca Pasini, L’Unita, orizzonti/arte, June 16
L’appartenenza impossibile, Manuela Gandini, Il Sole 24 Ore, No. 141, May 26, p. 43
Zegna Baruffa per l’arte, Anna Innocenti, www.modaonline.it
Due mostre per Maja Bajevic, Arte e Critica, Milano, No. 30/31, Apr./Sept.
La Bosnia raccontata da Maya Bajevic, Silvia Dell’Orso, La Repubblica, supplemento, 288, May 16
Maja Bajevic, Maja Bobar, Art From the Box, Umjetnicka Galerija, Bosnia and Herzegovina
Molto di nuovo, Francesca Pasini, Linus, Milano, Feb, pp. 86-89.
Interview with Maja Bajevic, Katy Deepwell, n.paradoxa, London, no. 9, pp. 82-83
La Bosnia raccontata da Maja Bajevic, Silvia Dell’Orso, Tutto Milano, La Repubblica,
No. 288, May, p. 41
MAJA, l’arte al tempo dei balcani, Susanna Legrenzi e Maria Grazia Ligato, Io Donna, supplemento del Corriere della Sera, May 11
Il Cashmere di Zegna Baruffa a Monte Carlo, MF fashion, May 8
Zegna e l’arte, www.textileitaly.it
Maja Bajevic, Lorenza Pignatti, Kult, maggio 2002, p. 124
Maja Bajevic – Avanti popolo, Valentina Agostinis, Carnet, maggio 2002, p. 99
Le geografie di Maja Baievic, Giovanna Amadasi, Marie claire, maggio 2002, p. 318
Maja Bajevic, www.opentextile.it
Zegna Baruffa sceglie Maja Bajevic, Elisa Signorini, La Spola, 6 Aprile 2002, p. 18
Mostre: bosniaca Maja Bajevic a Viafarini con Zegna Baruffa, www.ansa.it
Zegna Baruffa d’arte, Oscar Napolitano, www.modaonline.it.
Maja Bajevic, Meridian, Newsletter No.10, pp. 26-31.
Sradicamento e identita: e ancora possible cantare “Avanti popolo”? Francesca Pasini, l’Unita, June 16, p. 29
Maja Bajevic: la stroffa della storia, Elle
Maja Bajevic, Elena Demartini, www.exibart.com

2001
West – east side story, Dunja Blazevic, Art press, special, Paris, No. 22
Central – artLab: Neue Kunst aus Mitteleuropa, Martin Seidel, Kunstforum, Ruppichteroth, No. 157, Nov./Dec.
Neue Kunst Mitteleuropas, Rheinische Post, Sep 21
Bitterböse Kritik, Kölner Stadt-Anzeiger, No. 220, Sep 21
Von Morsbroich nach New York, Monika Klein, Rheinische Post, No. 220, Sep 21
Mosques and modernity, The Economist, Oct. 27
Visees pacifiques a la Biennale d’Istanbul, Genevieve Breerette, Le Monde, Oct. 31/Nov 1
Angela Vettese, Domenica, Sept. 30
Biennal of Ljubljana, Marjory Jacobs, ARCO NOTICIAS, No.19, pp. 76-79.
Kathy Deepwell, n.paradoxa, vol. 9, London, pp. 82-83.
Maja Bajevic: Black on White, n.paradoxa, vol. 7, pp. 26-27; 44
Kunst under huden, Istanbul Biennale, Billed Kunst, 6/2001, p. 13.
Maja Bajevic, Meridian, Newsletter no.9, pp. 10-13.
The matrix of memory, Bojana Pejic, 2121 web site
Kunst zum Krieg, Brigit Furrer, www.ethlife.ethz.ch

2000
Alain Dreyfus, Liberation, Paris, Sept. 11, p. 38.
Catherine Millet, Art press, Paris, No. 259
Mireille Descombes, L’Hebdo, Paris, June 29
Contemporary Visual Arts in Bosnia and Herzegovina: Characteristics of the last decade of the 20th century, Meliha Husedzinovic, Balkanmedia, Vol. IX
Fringe Benefits, Katy Siegel, Artforum International, May 2000, p. 63.
Umetnost vse naokoli, Irena Staudohar, Mag No. 26,  pp.63-65
Nadzorovana motnja, Ljiljana Stepancic, Delo, June 21

1999
Front lines, Boston Globe, Nov 10.

1997
Maja Bajevic, Museart, No. 65, april 1997, p. 42.

1995
Watching The Balkans In Paris, Matthew Rose, Oct

Bibliography